Frequently asked questions.
( well,
much less since this page exists, actually )
1. Do you release only vinyls ?
yes. vinyl only. limited to 250
pieces. no reprints.
maybe some day there will be some kind of
promo or gift CDs, but that's for a very far future.
tapes ? hhhm... some say tapes are cool again, some say tapes have always been there. hmm, yes. why not ?
ah, and about mp3 releases, we dont even have to think or do anything about it,
some kind souls with great scope ( state of the music shops world, anyone ? ) feel they have a mission to fulfill there.
2. why only vinyl ?
pragmatically, because we believe that the 2 medias that will make it past the
next 10 years are MP3s and vinyl.
MP3s, well, arent ugly, they totally miss any esthetic quality. So let's forget about them.
Steve Albini always said that CDs were a
rip-off and very fragile - we believed him.
at least at the price they
are usually sold.
on the other hand, CDs are quite a good medium : hi-quality, lots of space.
more deeply, well, we simpy like the materiality of a good slice of
vinyl.
Vinyl needs time, needs attention, reminds you of things being fragile and not endless.
also, they have flaws. cracks. pops. surface noise.
we dont press audiophile or 300g, so our release have those unwanted things.
that makes one think sometimes.
3. Why only 250 ? Are you creating an organized scarcity on purpose ?
Not exactly. This is not based on a capitalist
consideration.
250 is actually the smallest amount our press will allow us to
make
and actually it's not that small. ( you have no idea how saturated and small our niche is )
We are very busy people and we dont want to be stuck forever with
some releases and the business of re-releases and delayed orders, etc.
So
when it's gone it's gone. Finitude is a part of the human
experience.
Sometime you have to be there at the right moment.
4. Do you accept trades ?
Yes, we do. We just need to be
interested in the trader's offer.
We are favorising small and independent
distribution networks.
We are not interested in speculators, but well, what can you do to it once you've sold your stuff ?
also, there are moments where we prefer selling, since we need to prepare future releases.
5. Who's doing the artwork for your releases ?
S/ is responsible for most of the pictures and the design.
there is a lot of dialogue going on with the artists though.
We all have kids who made fantastic first drawings or friends who just graduated from art schools,
please dont ask us to use those things for artwork. We know where we're heading. (well...)
6. Can we submit demos ?
Yes, of course. We love
demos. Except the really awful ones.
we just listen properly to CD-R, not to MP3s.
YouTube, Soundclouds, Mixclouds, or whatever-clouds links will be arrogantly ignored.
Should i mention MySpace... no, i'd rather not.
so : WE WILL ONLY LISTEN TO CD-R !
now you can either try to find our adress somewhere on this website ( good luck )
or send us a polite mail describing your intentions and asking for it.
7. what are the next releases ?
in the past we said too much too early,
and that made everyone ( ok, someone ) waiting for it.
no more anticipation, no more expectations now, no more deadlines.
we are free.
( ps : 2012 is full booked )
8. Do you always use the same design for your sleeves ?
yes. just check the main page.
front : picture with a black rectangle
featuring the name and the title
back : continuation of the front
picture on the right.
on the left, black area featuring info
on the release at bottom and ini.itu logo , eventual drawings or additional
pictures on top.
That's something we learned from quality labels like
Touch, ECM, Mystery Sea, Extreme, etc
Of course, the interesting thing with rules is when you break the rules. Let's see when that happens.
9. How much does shipping cost for vinyl
?
a lot ! no... A LOT !
it's about 6 for Europe,
and 9 for UK and 16€ in the rest of the world. ( UPDATE : MORE ! )That's for 1 to 3 vinyls i
guess.
That's why we recommend you to buy our products from one of the
mail-orders where it's available
If someone in Europe feels like starting a special mail delivery system for vinyl, cheap and not especially fast, we would be eternally grateful.
now, you dont even have to pay us royalties for this idea. Just do it, for christ's sake.
10. Now, after these business questions, a bit of education :
What are those strange
instruments ? What is a shakuhachi ? a buchla lightning
? an eventide ? a tremoloa hang ? foogers ? a kecapi ?
shakuhachi ? http://en.wikipedia.org/wiki/Shakuhachi
buchla lightning ? http://en.wikipedia.org/wiki/Buchla_Lightning
foogers ? http://en.wikipedia.org/wiki/Moog_synthesizer
eventide ? http://www.eventide.com/
tremoloa hang ? http://www.fretlesszithers.net/QuickIdentifierPages/Tremoloa.htm
kecapi ? http://uk.youtube.com/watch?v=B8dqvhnpaJA
kerinding ?
sarode ? http://davidtrasoff.com/pages/instruments.html
meru bars ?
11. Nature. What is a tokae ?
http://en.wikipedia.org/wiki/Tokay_gecko
a boto ?
12. (deleted)
why ?
geez, do i have to explain everything ?
13. Back to the business of giving-away for free. How do I get promotional copies of new releases for my fanzine / magazine / website / radio show ?
like everything else in life : you have to
ask.
Our rule is quite simple : no review and you can call it goodbye for the next episodes.
non-profit doesnt mean charity ( or stupidity )
14.How can I book shows for ini.itu artists ?
Send us an email, we'll forward. We aint no booking agency.
on the other hand we might organize a few concerts later in the year
(first proofs of that :
Blindhaed @ Common Room, Bandung, Indonesia, 23 oct 2010
d'incise @ Veals&Geeks, Bxl, 8 nov 2010
more to follow, hopefully...
)
15. My band is on tour in your area can you book a show for us ?
No we cant. But we are never afraid to give tips or show directions, so just ask and we'll provide a few names.
16. How can I get an interview with a ini.itu band ?
Send us an email, we'll forward. Due to budget restrictions our marketing departement (ahum..) is euh. well.
17. I would like to distribute ini.itu goods or have my store carry them. What should i do ?
Its pretty simple, send us an email and we'll get back to you with all necessary information.
18. Linguistics now. How do you pronounce the name of Blindhæð ? Twinkle³ ?
from : Alcoa's Fjardal Team Pronunciation glossary
Blindhæð
/blind-hythe/
Twinkle Three or Twinkle to the power of three.
19. Where is Schaerbeek ?
Schaerbeek is the 7th city of
Belgium by its size.
It's located right next to the centrum of Bruxelles.
it's sometimes referred to as "the city of cherries" or "the city of donkeys".
if you want to know why, send us a mail !
20. > 10.
21. What is a Zephyr ?
22. what's a Hierophone ? why 341 ?
23. what was there before #228 ?
24. where is Bantimurung ?
25. can i have a map of Indonesia ?
- look
out yourself ! -
26. what is the inspiration fo creating ini.itu ?
let's compile a few sparks of inspiration down here :
Dusted: What was the rationale for using the 7" format and having the box set, rather than just putting out a less-expensive CD or LP compilation, or a series of separate 7" releases?
Ackerie: Pure fetishism! Because there is nothing like the feeling of handling vinyl. No other format allows for design to be so playfully implemented. The sound is superior and has a warmth that I adore. All of the work covered was originally released on vinyl. All I have seen recently in London is record shops closing down. So many have gone over the past 18 months. I wanted to redress this and pay tribute to a format that I love. Yes, CD and LP comps would have been a hell of a lot cheaper, but that was not the point. Recovery had to be special for me. I wanted to produce something I could be proud of. I also wanted it to be unique
http://www.dustedmagazine.com/features/833
Enflammer l'imaginaire en empruntant un terme à la sphère du métaphysique ou du stellaire - et simultanément l'éteindre en l'immergeant dans le prosaïque : telle est la formule énoncée par Dionnet. Les Humanoïdes / Asssociés . Métro Châtelet, direction / Cassiopée. La Foire aux / immortels.
Serge Lehman in Enki Bilal "La trilogie Nikopol"
384. Drôles de paroissiens
Il existe des gens découragés qui ne font aucun cas de leur actes et de leurs oeuvres les meilleurs et qui réussisent mal à les communiquer ou à les exposer : mais par un sorte de rancune, ils ne font également aucun cas de la sympathie des autres, ou même ils ne croient pas à la sympathie; ils ont honte de paraître trop contents d'eux et ressentent un plaisir provocant à se rendre ridicules. - Ces états d'âme se rencontrent chez les artistes mélancoliques.
Nietzsche, in Aurore, livre IV
Here are some words from Steve Albini on the Big Black 's collection "The Rich Man's Eigth Track Tape" :
THIS COMPACT DISC, COMPILED TO EXPLOIT THOSE OF YOU GULLIBLE ENOUGH TO OWN THE BASTARDLY FIRST-GENERATION DIGITAL HOME MUSIC SYSTEM, CONTAINS ALL-ANALOGUE MASTERS. COMPACT DISCS ARE QUITE DURABLE, THIS BEING THEIR ONLY ADVANTAGE OVER REAL MUSIC MEDIA, YOU SHOULD TAKE EVERY OPPORTUNITY TO SCRATCH THEM, FINGERPRINT THEM AND EAT EGG AND BACON SANDWICHES OFF THEM. DON'T WORRY ABOUT THEIR LONGEVITY, AS PHILIPS WILL PRONOUNCE THEM OBSOLETE WHEN THE NEXT PHASE OF THE MARKET SQUEEZING TECHNOLOGY BONANZA BEGINS.
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from Steve Roden's blog :
"while i was installing my own work, i ended up having a number of conversations with both older and younger artists who were also participating in the arte sonoro exhibition. as usual a number of those conversations were related to definitions of sound art, various approaches to performance, and how one experiences sound in various contexts. of course, most of these conversations ended up hovering around the idea of primary experience - with the usual discussions revolving around the qualities of listening to certain works in mp3 form, the relationship of the object of a CD or LP to the activity of listening and downloading.
while i have no interest in following such threads here, the experience of not only seeing the fra angelico on two different days, but also being able to sit beneath it on my second visit for over an hour, was a deeply profound experience. that hour spent in the presence of the original was as good as any illustration about why, in many cases, an mp3 is not a primary experience; but roughly the equivalent of experiencing the fra angelico painting through the postcard i purchased of it in the gift shop.
a primary experience is not only about receiving an image. it is about the experience of that image in relation to the object's physical presence - confronted by the all of the things that do not survive the process of translation, and which influence the process of "absorption" - things like harshness, subtlety, surface, patina, light, color, tone, etc. when one is present with a source, rather than a reproduction, an object is able to speak in its primary voice. a reproduction is simply a tool for the transfer of information, and usually it's source is degraded and veiled... for research or as a memory trigger it is fine, but it isn't the equivalent of being with the thing as it was made."